If you’ve had the chance to experience Ghost‘s latest tour, you’re likely still reeling from the sheer scale and complexity of their stage design. I recently had the opportunity to sit down with the mastermind behind this visual spectacle, stage designer Tobias Rylander, to delve into the creative process and challenges of bringing this tour to life, from initial concept to final execution.
Could you tell us about your history with Ghost? How has your approach to their live shows evolved over time?
This marks my first collaboration with Ghost and Tobias Forge. Our introduction was facilitated by Amir Chamdin, a film director who also works on Ghost‘s music videos. Amir and I have a long-standing professional relationship, having worked together on numerous projects. When Forge and Amir began conceptualizing the Skeletour, with its emphasis on video screens and content, Amir took on the role of creative director alongside Forge. This led to Amir introducing us, and the three of us commenced brainstorming and developing the stage and show design. 
The process felt like a natural progression and growth, aligning perfectly with Ghost‘s identity as a rock and roll spectacle. As a huge KISS fan, working with Ghost is the closest I’ll come to creating a KISS-like experience. Given that Forge and Amir are also KISS enthusiasts, our collaboration has been an absolute blast!
Can you walk us through the initial steps of planning a live show? Many fans might not be aware of the intricate logistics involved, and I imagine there are instances where Ghost‘s conceptual ambitions clash with real-world feasibility.
A significant aspect of my role as a show designer for arena and stadium productions is understanding what is and isn’t possible. It’s crucial to have a grasp of the potential number of trucks required, the estimated costs, and the manpower needed. How many crew members will be required, and what kind of truck space will be necessary? Can the venues support the weight of our design? These are the kinds of questions I need to consider.
With over two decades of touring experience and 15 years of designing shows, I’ve developed a solid understanding of what can and cannot be achieved. However, we still rely heavily on the expertise of our crew and production team to bring these ideas to life.
How do you translate your plans from paper or computer to reality? The first dress rehearsal must be an exhilarating experience.
The process typically begins with a rough sketch or a sketchbook. Tobias Forge has a talent for drawing and a clear vision of what he wants the show to look like. I act as his draftsman, using my expertise to help bring his ideas to life. We bounce concepts back and forth until we reach a point where we start considering the technical aspects. I utilize 3D CAD programs to create a representation of the show, which we then use to generate 3D visualization renders.
Modern computer technology has made it challenging to distinguish between renders and reality, allowing the artist, management, and crew to have a clear understanding of the show’s appearance before we even begin rehearsals or load into venues.
Production rehearsals can be intense, with numerous elements coming together for the first time. The rigging, trusses, lights, and scenic production all need to be carefully coordinated. Despite meticulous planning, it’s impossible to anticipate every potential issue. The first week of production rehearsals and the initial shows can be nerve-wracking, but there’s no greater satisfaction than seeing a concept transform from a sketch into a full-blown Ghost show.
How much input does the band have in the design process, and how much of it is driven by your team? While I’m not implying there are disagreements, I imagine there are challenges in balancing the logistical aspects with the needs of the performers on stage.
When it comes to Ghost, Tobias Forge is the driving creative force. As the mastermind behind Ghost, he has a deep understanding of the band’s history, lore, and vision. We listen to his ideas and work to bring them to life, while also considering the limitations imposed by logistics, budget, and time constraints. The limitations often lie in the load-in time, crew size, and venue capabilities, rather than the ideas themselves.
Forge is a generous and creative individual who prioritizes his fans’ experience. No expense is spared in delivering a exceptional show. We work closely with the tour and production managers to determine what is feasible and what is not. If it were physically possible, the show would likely be even more grandiose!
Is there a particular aspect of the final product that you’re most proud of? Perhaps there’s an element that might go unnoticed by the audience, but holds special significance for you.</strong?
I’m particularly proud of how the massive Grucifix turned out. It’s an iconic symbol of the band, and we’ve never built one on this scale before. We had to create multiple versions to ensure it was both aesthetically pleasing and structurally sound. I’m thrilled with its proportions and the way it integrates with the rest of the show. It’s an impressive sight, featuring hundreds of moving lights and strobes.
Another aspect I’m fond of is the new scenic facies and scenography I designed for the band risers. As someone with a background in lighting design, I relished the opportunity to create 3D scenography incorporating skulls and bones. It’s a true delight to see it all come together!
What’s the most significant challenge you face when plotting Ghost‘s live lighting?
I’d say it’s the task of building and telling the story through lighting. With a design and rig like this, it’s easy to get carried away and want to utilize every aspect of the lighting rig. However, Forge has a clear vision for the show, and I had to scale back some of the lighting looks and programming to create a more theatrical, almost retro atmosphere. In hindsight, it’s clear that this was the right approach.
What’s your favorite moment in the show?
That’s a difficult question, as there are so many incredible moments. The first drop and reveal of the stage is truly dramatic and exciting!
The collapsing of the church is also breathtaking, and Forge‘s stage presence and costume changes are unforgettable. I could go on and on – the show is just that good!
Ghost is currently embarked on their world tour, which kicked off on April 15. Tickets are available here.
8/1 Rosemont, IL Allstate Arena
8/2 Saint Paul, MN Xcel Energy Center
8/3 Omaha, NE CHI Health Center
8/5 Kansas City, MO T-Mobile Center
8/7 Denver, CO Ball Arena
8/9 Las Vegas, NV MGM Grand Garden Arena
8/10 San Diego, CA Viejas Arena
8/11 Phoenix, AZ Footprint Center
8/14 Austin, TX Moody Center
8/15 Fort Worth, TX Dickies Arena
8/16 Houston, TX Toyota Center
9/24 Mexico City, MX Palacio de los Deportes
9/25 Mexico City, MX Palacio de los Deportes
